I am here today because there’s a post I need to write that’s going to make me sick if I don’t get it out of my head today, it’s been nagging at me so much since yesterday afternoon. If you happen to have arrived here before the next post is posted, then I’ve probably already spoiled it because you probably already have an idea what it’s about. Sorry for that. They probably both belong on the music blog instead, but I really need to post them here instead (don’t ask me why, like a lot of things it really makes no sense, but there ya go).
First, though, before I get to that post, I would probably be really remiss if I didn’t go back to about a month ago and admit to you all that the day the news came out that Doug Fieger, leader of The Knack, had passed away, I cried my fool head off that entire day and night.
This really didn’t make any sense on the surface. As a 13-year-old, I bought Get the Knack in 1979 just like most everyone else did and played it to death, “My Sharona” was a great tune, it was cool. All peachy.
But The Knack were never, like, one of my VERY favorites, you know. That’s a record that’s somewhat surprisingly stood the test of time, but it would have been far, far down the list of my stranded-on-a-desert-island picks. And goodness knows the music world has lost a bunch of my big heroes in the last several years – Joe Strummer, three of the four original Ramones, many many more. All of which made me sad, of course, but none of which left me incapacitated in tears and unable to do anything but drown my sorrows in YouTube for an entire day.
It finally dawned on me at some point during the course of all that misery why it was affecting me so. The more and more frequent occurrence of the heroes and idols of my youth passing away over the last several years had indeed been more and more disturbing and upsetting, and each one another reminder of how much older I myself was getting and that – since most of my musical heroes were far older than me when I was a preteen, teenager, college kid – I knew these depressing moments were going to happen more and more as time went on and as we all got older, sure.
This one hit HARD, though. Almost like losing a family member, because of the sheer importance of it all.
Importance? The Knack????
Scoff if you will. The Knack changed EVERYTHING – for some of us, anyway.
Oh sure, there was great, and greater, music around. The Ramones had been around for years by that time, The Clash, and dozens of other legendary bands springing up in New York City, on the West Coast, in the UK, lots of places, yes.
There was great music around somewhere. But you’ve likely no idea how hard it was to GET to that music in 1979, if you lived in small towns in West Tennessee. Probably would have been a little different had I grown up in Knoxville, Nashville, Memphis – but it still took a long time for a lot of that stuff to filter down to even those places. I’ve written numerous times over the years about how hard I had to scratch and scramble to get my hands on anything I read or found out about that wasn’t “mainstream”, and how I’d have been oblivious to most of it were it not for the fact that I was (A) a night owl and (B) rarely missed an airing of things like Saturday Night Live, Fridays, and Don Kirshner’s Rock Concert.
And you must remember as well – people still listened to radio back then. In the car, at home – wherever – radio was still pretty much king of the hill when it came to getting music to the masses. Yeah, I had a lot of records as a kid – but there were lots of times the choice was either radio, or no music at all.
Were it not for the fact that I was a major Cheap Trick fan from nearly the start, and a KISS fan, and the fact that The Cars put out their first two albums (which still didn’t get played on the radio down here all that much back in the day), I’d have been mostly 100% S.O.L. throughout the late 1970s because there was just so very much horrible crap on the radio. For years up to 1979, the radio airwaves were dominated by disco and so much easy-listening-type junk that even though I listened to it anyway – and even though I bought a lot of it at the time – it was really like a vast musical wasteland out there filled with stuff that might have been better than no music at all, but was thoroughly unexciting and barely tolerable.
There was one FM station in the area that wasn’t on around the clock and did play mostly progressive rock – a lot of which I didn’t like and still don’t, but some of which I did – but it was better than what was on the rest of the stations on the dial, so I’d listen to it when I could. But then we moved too far away in the beginning of the summer of 1979 for me to get the signal anymore, so there went that.
And to make matters even worse, bands I did like whose music made it to mainstream radio were releasing stuff I couldn’t stand, to fit in with the times. God knows I love The Rolling Stones and always have, but with the exception of “Shattered”, you can keep the Some Girls album. Then KISS goes all disco and releases the “I Was Made For Loving You” single and adds even more insult to injury. It just kept getting worse and worse.
That summer of 1979, The Knack saved mainstream radio. For those of us stuck out in the sticks (or almost), those of us who didn’t have easy access to all the cool stuff out of the norm that they didn’t play on our local radio stations and had to scramble to get anything like that – The Knack were a godsend. When “My Sharona” hit the top of the charts and stayed there and stayed there – ultimately becoming the top selling rock single of the entire decade of the Seventies – Doug Fieger and The Knack changed everything, for those of us who didn’t live in the cool cities like NYC and L.A., or even Memphis and Nashville and Knoxville.
The Knack opened the door for all those other bands that came after to get played on Small Town USA radio – some great or good, some not so good, some just plain bad – but they weren’t disco, and they weren’t all that soft rock-easy listening stuff that kind of put the entire nation to sleep, I think, for most of 1974 or 1975 to 1979. Finally there was something new and fresh and different to listen to on the radio – ‘cos listen, if you weren’t old enough to drive yet, you were still pretty dependent on whatever was on the radio for the most part back then.
And all those bands The Knack’s big hit opened up the door for made their way to MTV, when it began – but most of us outside of the cities didn’t have MTV, not for years. You’re reading the blog of someone who, for years, one of the big highlights and treats of going to visit friends and family in Memphis was getting to watch MTV while there, after all.
Radio became tolerable again – kind of funny NOW to think of being THAT dependent on what was being played on the radio – but you just didn’t have that much of a choice back then and, again, a lot of the time, it was radio or no music at all. And I started out growing up in one small town, but spent my teenage years in ones even smaller. My little hometown’s FM radio station would have probably still been playing disco and all-Eagles-all-the-time (nothing against the Eagles, but you get what I mean) by the time I was in high school. Instead, thanks to what happened the summer of 1979 and The Knack, that little radio station was the first place I heard things like Wall of Voodoo’s “Mexican Radio”, Billy Idol’s “White Wedding”, and any number of other tunes that might have never have had a shot on mainstream radio had they come out a few years before that.
John Cougar-before-he-was-Mellencamp, Bryan Adams, Loverboy, .38 Special – all those probably would have made it out there anyway, but I have doubts that things like Donnie Iris’ “Ah! Leah!” (still to this day one of my fave all time tunes) would have ever made it to Small Town USA airwaves without the overwhelming initial success of The Knack. Maybe so, who knows – but The Knack still started it all, and at the best possible time when it was desperately needed by those of us far from places like NYC and L.A.
So when I found out that Doug had passed away, I mourned, probably for many reasons. Here was another senseless cancer death, for someone who was really far too young to leave the world this early (he was 57). And the fact that, though The Knack were never a “top favorite” of mine, they were a band that was so instrumental and so important in such a very big change in the world of easily available music that was my youth. And then there was having to face the fact that it’d been now over 30 years since “My Sharona” was released, so that was kind of like the final nail in the coffin of my gloriously misspent youth (not that I don’ t know my youth has been gone a LONG time, but something like that just makes it oh-so-final and irreversible).
It’s hard to believe that was so long ago. If I close my eyes, I can remember a certain day that song was playing and see the radio it was playing on, the dresser the radio was sitting on, see the mountain view outside the window the dresser was next to, and almost – almost – hear the voices of the several people that were lounging around the room that day, most of whom were tapping a foot or fingers or bobbing their head along with the music. It’s that clear. It’s just one of those songs that can immediately whip me right back there to that very spot in time… if only for four minutes and 54 seconds.
Anyway, it was that long ago indeed. And it was just all so depressing and I felt so blah that I just cried my fool head off all day because it was really the only thing I felt like doing.
Which, again, was kind of odd, as Doug was someone I hadn’t really even thought about in a long time. I remember way back during the Kevorkian trials, noticing that the doctor’s attorney’s name was Geoffrey Fieger and thinking he sure did look an awful lot like the only other person named Fieger I’d ever heard of (and of course he does, he’s Doug’s older brother, as it turned out). That was probably the last time Doug Fieger’s name had crossed my mind, really, consciously anyway.
And in the course of that day of mourning, I also discovered that he was once married to actress Marin Kanter, who starred in one of my favorite music films of all time that nobody ever saw called Ladies and Gentlemen, The Fabulous Stains with Diane Lane, Laura Dern and Ray Winstone (along with Steve Jones and Paul Cook of the Sex Pistols, Paul Simonon of The Clash, and Fee Waybill of The Tubes) – a film that finally won a DVD release in 2008 after years of clamoring for it by its cult following of fans, most of whom had only seen it back in the early 1980s when it ran on The Movie Channel and the like. Anyway, that was kind of a neat Easter egg to come across, something I didn’t know.
In any case, The Knack just changed everything for kids like me that were stuck out far away from the cities back in 1979, it was really as simple as that. If not for them, some other band might have come along and done it, sure – but as it were, it was Doug Fieger and The Knack that saved radio for us. I’ll be ever grateful for that.
This was a neat video from 2008 I found that day on YouTube where Doug and a friend gave an impromptu performance of Eddie Cochran’s “Summertime Blues” at a party (yet another one of those cool things I find from time to time that make me wish I’d had a video camera in the ’80s to capture some similar moments around Nashville back in the day).
On a final note, here’s a hint – the Get The Knack album is still really, really good. It’s a little dated, but it’s stood the test of time pretty well – you’ve got to get past “My Sharona” and listen to the whole thing to really get it (no pun intended), but I think it’s held up a lot better over time than many of the other big albums from that early New Wave era of rock & roll.
I kinda knew this a long time ago back in the mid-’80s when Greg and Joey and I started messing around musically and (in that honeymoon-like period when you are first getting to know people you’re playing music with really well and everything you discover you have in common is such a treat) we frequently found that the songs we all liked best and had spent time learning were usually the songs on various albums that were the “filler” tunes and ones other people often didn’t know or care about (and because of that, we’d often have to correct people who’d think it was one of Greg’s or Joey’s originals, but that’s another story).
Of the probably thousands of albums we pulled out (whether actually by hand or just talking about them) that summer of 1986, one of the tunes Greg started picking out softly on his guitar in my stupid little apartment north of the MTSU campus was this thing I immediately recognized and started singing the first line before he even opened his mouth, and it eventually became a staple and something people often thought Greg wrote, especially since we kinda indie’d and punked it up a little like we did most everything. This happened all the time – name an album, and whatever obscure “filler” track on that album one of us liked best almost always turned out to be the one the others liked best too. This one, too, was just another one of those “back of the album” tunes we all liked best on the album that most people never heard – along with other ones that weren’t “My Sharona” or “Good Girls Don’t”. It was The Knack’s “Your Number or Your Name”, and we just made it our own for a little while.
“My Sharona” was deservedly the hit for The Knack though – and that guitar solo is actually pretty awesome, and lord knows it sold bazillions of copies – but really when you listen to the album, the other single to me was really always the standout, brilliant one and the gem among it all. It was a favorite of KC’s, and when we were about 14 & 16 he once told me that all I really ever needed to know about teenage boys was in this song (that was, of course, before The Replacements and before Paul W. wrote “Sixteen Blue”) – but this was always (no surprise) his favorite Knack song and really it was pretty brilliant in its straightforwardness and its simplicity. I was going to post the original video and then I found this semi- (or all?) live version of “Good Girls Don’t” from some appearance on VH-1 in the early ’80s. KC’d be happy with this one and he’d say this is the correct version (because it’s the dirty version, which obviously didn’t make the original video). ;)
In any case – even though I’m a month overdue in posting this – RIP Doug. Thanks for the music, the memories, and thanks especially for saving radio and making it tolerable again for us kids stuck out in the sticks and almost-sticks in the summer of 1979. For that, I will be always grateful.





































